While “Tyler Perry’s Acrimony” doesn’t quite live up to its stylish trailer — that water-torture sound design promises a floodgate that will burst at any moment — it’s the kind of “women’s picture” ...

"You don't know what he did to me..." Lionsgate has debuted one final trailer for Tyler Perry's new drama titled Acrimony, an infidelity thriller starring Taraji P. Henson. We featured the first ...

Add Yahoo as a preferred source to see more of our stories on Google. In “Fatal Attraction” (1987), the thriller that brought a new kind of possessed feminine rage to the screen, the Glenn Close ...

Taraji P. Henson may be the hardest working woman in shoe business. We recently caught up with the superstar, who revealed, not only did she film Acrimony in five days, she filmed it simultaneously ...

Tyler Perry makes a lot of movies. This year alone, the filmmaker has three films slated to come out, the first of which is Tyler Perry's Acrimony. The film is a psychological thriller that stars ...

After a four-year hiatus from melodrama, Tyler Perry has returned with one of his most rousing pictures yet, Acrimony, which lands somewhere between Douglas Sirk and Tommy Wiseau. Perry’s career has ...

Shot in only eight days and loaded with pulpy narrative turns, Tyler Perry’s new feature Acrimony (which is currently playing in general release) feels like a 1940s B thriller blown up to contemporary ...

Tyler Perry’s Acrimony used to be called She’s Living My Life, but it may as well have been called Diary of a Mad Black Woman. In fact, many of Perry’s earlier film titles could have served this, his ...

“Hell hath no fury,” reads a tagline on a poster for “Acrimony,” and at first glance, the latest sermonizing melodrama from Tyler Perry appears to be the story of how a scorned woman worked up the ...

Tyler Perry’s latest film, “Acrimony” has sent film fans searching for their dictionaries. Merriam-Webster reports that “acrimony” has been among its most-looked-up words online in March after an ...

In “Fatal Attraction” (1987), the thriller that brought a new kind of possessed feminine rage to the screen, the Glenn Close character — a scorned Medusa — often did things that looked crazy; she ...